For our ETHS 210 final, we had to perform in POP! (Producing Our Power). I was a part of Skit Group number 2. For our performance, we intended to have Angelie sit with a laptop onstage and pretend she was typing out blogs, and have Abby read the blogs backstage as a voice-over, and the rest of us would be in the background, illustrating what she was saying. We did three blogs; Hyphen's letter to the editor, the food unit, and the midterm.
Originally, we planned to have the stage lights dimmed as transitions between the blogs, but the person controlling the lights didn't dim the lights at all and we had to make do. I think the performance might have been better if we'd have more time to practice, actually have seen the stage beforehand, and coordinated with the lights person so they'd know when we wanted the lights dimmed.
It was pretty hard to get together with so many people having conflicting schedules and living so far from school. I remember when working in a group in high school was much easier, since no one had part time jobs and everyone went to school at the same time. Back then, we could say 'Oh let's meet up during lunch!' and everyone would be free, but we don't even have a lunch time now.
Overall, POP! turned out way better than I excepted it to be. Everyone performing did a great job. I just wish I got to see our class' performance. I was nervous before being on stage, but once I got out there, it was pretty fun.
Tuesday, December 9, 2008
This is Fashion!
The success of Vera Wang shows that being Asian American is not a burden, and that the world is ready for AA celebrities.
Monday, December 8, 2008
Hello Kitty and her many accomplishments
Ever wonder how Hello Kitty came to be, and why is she so loved? Hello Kitty is one of Sanrio's many characters. Sanrio was started by Shintaro Tsuji as the Yamanashi Silk Company in 1960. The company produced a line of character merchandise and it wasn't until 1973 that the company was officially established under the name "Sanrio." The word Sanrio comes from "san" (meaning three in Japanese) and "río" (meaning river in Spanish"). He named the company Sanrio to unify the three rivers of the world. Why? I haven't come across this answer yet. Besides selling their famed character goods, Sanrio also takes part in movie production and publishing. Airing on TV Tokyo in Japan, and CBS in the United States in 1991, "The Adventure of Hello Kitty & Friends" is the first ever made Hello Kitty TV series animation in 3D. They also participate in the fast food industry, running a franchise of KFC in Saitama. They own the rights to the Peanuts characters in Japan and in 2002, they began a joint business with the Walt Disney Company for their greeting cards. Recently, Sanrio went Digital launching Sanrio Digital to expand its brand through the Internet, Online Games and Mobile Services such as Big City Dreams on Nintendo DS.
Hello Kitty was created in 1974, a white cat known for her button eyes, a red ribbon on her left ear, and no mouth. In the very beginning, Hello Kitty, did not have a name and was always pictured sitting down. Her creator decided to forgo a particular expression for Hello Kitty because she wanted Hello Kitty to reflect whatever emotion people were feeling as they looked at her. That's the reason why Hello Kitty does not have a mouth! By 1975, Hello Kitty was named and the Sanrio Company released its first Hello Kitty merchandise, a coin purse picturing Hello Kitty's family. Hello Kitty began to evolve over the years, seen in different poses, atmospheres, and clothing. In 1979, the Hello Kitty world uprooted and in the next year, this kitty sold more than a million watches attracting the young population. Further down the road, Hello Kitty didn't just evolve animatedly, but "Americanly". UNICEF awarded Hello Kitty the exclusive title of UNICEF Special Friend of Children and by receiving that award, Sanrio made hello kitty with a more US design. Trying to expand their audience even further, the black and white series attracted the rest of the grown-up populationby 1987. That same year, a more traditional Kitty design appeared on traditional Japan clothing, in school uniform, beach uniform, and wedding gowns.
None the less, as the years gone by, Sanrio never ceased to surprise the world with many different types of Hello Kitty merchandise and characters. Not only was Hello Kitty seen on accessories, but politically. Since 2004 Hello Kitty has been featured on a MasterCard debit card from Legend Credit Inc. The card was released to teach young girls how to shop and use a debit card. And the most interesting yet, May of 2008 named Hello Kitty the ambassador of Japanese tourism in China and Hong Kong. Hello Kitty has been around my entire life, and yet I can't seem to pinpoint the very reason why i love her so much.
Sunday, December 7, 2008
Chinatown After Sunset
On a whim, I went on a walk around Chinatown last evening (with my camera being my only companion).

I started on California Street and walked along Grant Avenue.
Note: This photo was taken at the intersection on Clay, but this one has a better backdrop than the one I took on California, so I'm posting this one instead.

If you look carefully, you can see a man playing an 二胡 (erhu, aka Chinese violin) on the right. According to Stephanie, he's always there.

What.

A senior citizen chats with the man at the newsstand (who didn't seem to be interested in the conversation, if you ask me).

Unaffected by the darkness, a group of men watch on as two compete in a game of chess in Portsmouth Square.

As I walk along Grant, I notice that most of the shops—bazaars filled with a variety of Chinese gifts and stores selling items splattered with San Francisco motifs—cater mainly to tourists.

Waverly Place, an alley nicknamed “Street of the Painted Balconies,” hosts a number of temples. I would've tried to get a picture of one, but wandering around in a dark alley alone didn't seem like a good idea.

Up the hill, on Stockton, the streets are still busy with locals buying groceries for dinner.


I wonder if they have this many boxes to dispose of every night...or maybe I was just lucky.
I started on California Street and walked along Grant Avenue.
Note: This photo was taken at the intersection on Clay, but this one has a better backdrop than the one I took on California, so I'm posting this one instead.
If you look carefully, you can see a man playing an 二胡 (erhu, aka Chinese violin) on the right. According to Stephanie, he's always there.
What.
A senior citizen chats with the man at the newsstand (who didn't seem to be interested in the conversation, if you ask me).
Unaffected by the darkness, a group of men watch on as two compete in a game of chess in Portsmouth Square.
As I walk along Grant, I notice that most of the shops—bazaars filled with a variety of Chinese gifts and stores selling items splattered with San Francisco motifs—cater mainly to tourists.
Waverly Place, an alley nicknamed “Street of the Painted Balconies,” hosts a number of temples. I would've tried to get a picture of one, but wandering around in a dark alley alone didn't seem like a good idea.
Up the hill, on Stockton, the streets are still busy with locals buying groceries for dinner.
I wonder if they have this many boxes to dispose of every night...or maybe I was just lucky.
CalliGRAFFitti
CalliGRAFFitti takes East Asian caliigraphy and twists it with urban American graffiti art to form a whole new type of art. It's a unique clash between being Asian and American, the old and the new, in a sort of a cultural hybrid art form.
In history, traditional Chinese and Japanese calligraphy was reserved only for the educated and is highly respected as an art form. Graffiti originated in Italy as inscriptions and drawings on walls, and writing on sidewalks and walls is still common in Rome today. The Romans consider graffiti to be an art form, but many westerners consider it as vandalism.
CalliGRAFFiti was an exhibition at ProArts gallery Oakland's Jack London Square. It is a collaboration between Minette Lee Mangahas and nine graffiti writers (Apex, Coby Kennedy, Zen One, Toons One, Amend, Desi W.O.M.E, Denz One, and Lucha) from different cities all over America. On Asian elements, like the parasols, they used an urban element, which was spray paint, and painted on calligraphy and graffiti words. The taggers had to learn calligraphy and the calligraphers had to learn how to tag, despite cultural barriers, so it was both an art form and a learning experience for the people involved. The cinder blocks were the opposite; on an urban element, they painted Asian symbols and words. There was also a basketball game, video, and of course other art in this exhibit.
Minette Mangahas was a student of calligraphy for eight years, and she spent the first four years practicing the character for "one". After graduating from one, she proceeded to the CalliGRAFFitti project. She assigned each of her artists a calligraphy character, like "eternity", "earth", or "healing", and together, they perfected writing the characters and created their own interpretations of them.
Frameless Windows, Squares of Light
The poem I chose to write about is "Humble Jar", from Cathy's second book of poetry titled "Frameless Windows, Squares of Light," published in 1988. This poem is about her mother, a seamstress, and how she's always resourceful.
She had a button for every emergency,
the way she just happened to have
a band-aid in her wallet
or some chewing gum in a back pocket
she'd bring these out as if by magic,
waving a tootsie roll like a wand.
(14-19)
the way she just happened to have
a band-aid in her wallet
or some chewing gum in a back pocket
she'd bring these out as if by magic,
waving a tootsie roll like a wand.
(14-19)
Cathy's mother didn't have a cool job that she could brag about to her friends, but it didn't matter. She is proud to have a mother that saves the day when something goes wrong. She always has the things that are needed at exactly the right moment, even if it seems unlikely that anyone would have it. Cathy never thought of these small tasks as important when she was young, but now that she thinks back, she appreciates all that her mother has done for her.
The buttons that her mother kept in a jar were not only useful in emergencies, but also a trip into the past.
A dip into that humble jar
repaired a shirt,
but it also retrieved a moment
out of a cluttered life
(77-80)
repaired a shirt,
but it also retrieved a moment
out of a cluttered life
(77-80)
The buttons were kept even though they were never needed for the original shirt it came with, and long after the shirt is donated, the buttons were still in the jar. Cathy shows that everything has a story behind it, no matter how insignificant they might seem at first. Anything can be a relic into the past, not only photographs.
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